The hyper color, dense patterns, and lush textures from fashion magazines create a pop culture palette for these works on paper. The deconstructed image and floating fragments have weightlessness and fragile quality. The nature of these images contrasts sharply the slick media-rich format from which they are extracted.
The drive to move in this direction of relational aesthetics springs from consistent reoccurring themes in all of my work of; a supersaturation of color, the flat plane of the "canvas," abstraction as figuration, and pop culture.